[identity profile] glass-beddau.livejournal.com
A shot on the DIABOLIQUE, soft-focus lens panning around the club. It's full of rich colours and elegantly muted lighting; we see no-one clearly, just gently blurred figures interspersed with soft points of light. There is no sound except a piano and a woman's voice. The song continues as the camera circles around the outside of the room. Viewpoint from behind the singer, showing her as a silhouette against the stage lights as the song comes to a close.

"I won't let you close enough to hurt me,
No, I won't rescue you to just desert me
I can't give you the heart you think you gave me
It's time to say goodbye to turning tables
To turning tables
Turning tables, yeah
Turning, oh ..."

As the camera pulls around to focus on WANDA the song ends...
The song ends and I smile and give a slight bow to the scattering of applause. It feels good to be back up here, good to be singing again. Management was kind enough to check around to see if West Sagret had left town, and when they assured me I had nothing to worry about...

Funny thing about Management. As much as I don't trust them, they look out for their own. So I came back to work a few nights ago, and left Nu's to head back to my own apartment. Not as thrilled with that, but the lease is up at the end of February. Time to move on... or at least out of there. Not sure where I'd go. Hell, not sure about anything. Not Excolo, about Tony, about myself to be honest.

I slip from the stage and head to the bar. "Hey there lover. A whiskey on the rocks, the best you got." I sigh to Jeffrey, taking my seat at the end of the bar. He sets a glass down in front of me and lights my cigarette. "Thanks, sweetie." I take a drag, then a drink.

Yes, life is back to normal. As normal as my life gets at any rate.
[identity profile] glass-beddau.livejournal.com
Music and montage, covering BENEDICT and WANDA in her apartment and ending with the knife in her hand; AL sitting in jail and then fade to TEZ hanging up the phone; GLASS turning in shock to find DORIAN in her apartment; HERMIA waiting in SYL's hospital room; VALMONT alone with a drink, looking at a picture of Marie; SYL coming home to find the present on her pillow; TEZ and AL in Al's office as Oscar opens the door; ending with the close-up of SAYID from the season opener; the music fades out, the shot stretches in slow motion, and cut to black just as we hear the gunshot.

We've gone a long way while learning
still our hearts kept on burning
we've gone right, we've gone straight and ended up far out

We've reaped the fruits of deception
Opened the doors of perception
And burned down all the bridges we came across

When will you be whole again?
We've both been down that road going nowhere
Still you ask, is love to blame?


Been a miserable few days, and I don't think it's just my outlook. The sleet started late on Saturday and blurred out the end of the weekend. Nothing more on Zuabi, no surprise, and the feds have descended. Really glad our paperwork is solid, and I got my work in before anything went wrong, but oh my god they are picking things apart. Hope they find something. Hope that if Thorn finds something, Stephanides is there too, because... well. We are none of us saints, but there are still places you don't want people tempted to go.

I shouldn't even be at work, I know, but I wasn't working. I just came by to pick up a pair of shoes and one of my books. And then sat down for a bit, because I didn't feel like walking out and dealing with anyone, and I think I dozed off. And then told Carley I'd sort the files he had out so he could put them away them quicker. And then he made coffee, and...

The look Klavec gave me could cut glass. Hah.

Go over the crime scene report again, since I guess sooner or later I'm going to need to justify the Luminol to someone in person. No bodies, but the Luminol (bless you, my clingy little fluorescing goop) showed up a blood splatter pattern that pretty much means you can take him for dead, and it looks like someone digging through the scene found a bullet. No idea what Chester turned up on the phone, yet, and I imagine that not being supposed to be here might make looking it up a problem.

Sit there for a few more minutes, maybe fifteen, and then get my coat and my shoes and my book and head out. I don't want to go home yet, but the weather's cleared up. The Miskatonic is close enough to get to, even if the Whitechapel's just across the damn street.
[identity profile] al-shairan.livejournal.com
Friday, July 7th, 1961, evening.
The Popular Fiction Publishing Awards, the Algonquin Hotel, the Oak Room.


[From here.]

I'm looking forward to this dinner much more than I expected. Awards ceremonies are always dull, but I normally quite enjoy the ritual around them and the schmoozing afterward, but I've been thinking a lot this week about my daughter and my ex-wife and have not exactly been in the best spirits for a party. But now Syl is on my arm, looking remarkably glamorous, and I think it may actually be a fun night.

There's a photographer waiting outside the hotel when we get out of the cab, which is unexpected but quite amusing. I'm sure he's just from Publishers Weekly, but when he snaps us going in I can be sure that we'll be one of the most glamorous couples photographed tonight.

"We might even end up on the front page," I say to Syl, raising my eyebrows. "If the editors can bear to let popular fiction get above page 10, that is."
[identity profile] valmont-vicomte.livejournal.com


In the last installment...

June 1961 - Val flirts with James in front of Ted, but James manages to make it seem like he's after Val's job so Val shows him the door. James compounds his error by badmouthing Ted and Val to Beryl and Kate, and then seeming to hit on Genny. Bad day for James! Ted decides to ask out Genny to annoy James, and Genny, Val, Ted and Beryl all go out for dinner to discuss plans for a detective romance series. Meanwhile, Syl and Al go out for drinks and end up in bed together. And Kate and Tess go out dancing, where Tess is confronted by her ex-girlfriend - but Kate doesn't seem worried by what this tells her about Tess.


Friday, July 7th, 1961, the office

So Monday started with hearing that Ernest Hemingway had died on Sunday, and that's set the tone for the week. I've had a headache for two solid days that's only just starting to fade, mostly due to a printing crisis with one of our runs. Let's just say that in three places the word "duck" didn't start with a d... The censors are getting pretty strict about obscenities these days, so that started my headache, and then I had the usual author-induced stresses.

At least this detective romance we're putting together seems like it's got legs. I'm looking at the cover Genny's drawn. The streetlamp's got a good glow to it, and she's managed to make the lady sexy and wholesome at the same time - not easy. The guy's just your average lantern-jawed gumshoe, but that's fine. And Beryl's put together a good story, though I've got a few suggestions for amendments. She's a cooperative sort, though, so I don't mind meeting with her, unlike some of our writers. And I have to admit she's easy on the eye, which is a good distraction from my other emotional woes...

I loosen my collar, because it's a hot day. I'm dreading August. Hope I'll get away for a couple of weeks because the city will be unbearable. It's not the best night for black tie, but I'll be sweating in a tuxedo anyway because this evening there's the Popular Fiction Publishing Awards, which everyone in the pulp game in NYC goes to - less for the prizes and more for the canapes and the gossip. There's always gossip. Me, I'm just going to enjoy the free champagne.
[identity profile] nunaunet.livejournal.com
Evening of 6th January; the Diabolique

Ain't the same without Wanda. Had to do the New Year show without her, an' I don't know if Management are gonna keep her job open much longah if she stays away. She called to wish me a happy new year but she stayed vague on wheah she was or what she was doing. I want to see her, cos I'm real worried, and I'm kind of pissed at her too, you ken? She's my best friend, I'd say, an' I need to know what's going on with her.

I sigh an' rifle through my clothes rack, looking for something to wear tonight. Little bit of sparkle, but I ain't in the mood for anything too fussy. Something slinky, ayuh. Maybe blue. Seems the right sort of shade for January.
[identity profile] al-shairan.livejournal.com
Previously on CSI: Excolo
NU outside WANDA'S apartment, looking in, holding a cell phone. CUT TO: WANDA at TONY's house.
WANDA, on phone: Please Nu, I don't want to hang on the line. Long story, short version. My most recent ex hired a private dick to dig up dirt on me.
SYL in a hospital bed, HERMIA by her side.
HERMIA: There was damage to your stomach and liver and lung. They repaired all that, and it's going to heal. You'll hurt like hell for a while, but you'll heal.
CUT TO: HERMIA in hallway, dialling cell phone.
HERMIA: No answer from Sayid. I'll keep trying him.
CUT TO: THE PARK.
Overhead shot of TEZ standing over SAYID'S body, snow bloody. Voiceover:
TEZ: You'll be pleased to know Zuabi won't be bothering us again.
CUT TO: AL with his hand against TEZ'S face.
AL: You killed him for me. Tell me what you did.
CUT TO: TESS going through a pile of papers. KATE comes in.
KATE: Any luck?
TESS: Not as yet. I keep hopin' it'll all fall into place once I get some sense 'v the order, but it could end up being tough the whole way through.
CUT TO: SAYID'S apartment. LEAH punches JOHNNY in the throat and tucks a file into her coat.
CUT TO: DORIAN, KATE and GLASS at the MISKATONIC CAFE.
DORIAN: Everyone is a threat to the public, Ms O'Hara. Everyone has the - capacity.
KATE: Everyone's capable of cruelty. But not many people act out that capability as comprehensively as you seem to.
GLASS: I'm not angry with you, and I don't want you to leave.
PAN ACROSS to KATE'S face as GLASS says this, cut to her sitting in her car and crying.


Episode 3.02: My Host Is You

Time lapse film over a snow street at night. An ethereal song plays as the Christmas lights twinkle and the traffic rushes. Dawn breaks, and a truck arrives, unloads a ladder, and the Christmas decorations get taken down.

Like a virus, patient hunter
I’m waiting for you, I’m starving for you
My sweet adversary


Time slows down; AL SHAIRAN comes down the steps of a townhouse and gets into a car. GRANGER loads two suitcases into the back.


January 6th and Christmas is officially over. I told Tez I would tell Lily after Christmas that I'm leaving; that got a little delayed by my arrest, but I shall do it tonight. Granger will take these things to the penthouse; I've already been there more nights than I've been at either of the homes I share with Lily. I do feel regret, I do. But everything feels so...inconsequential in comparison to how I feel when I'm with Tez. Everything's diluted, insubstantial. My real life is with him, come what may.

Sayid Zuabi has been declared missing, of course, but nothing of him has been found. Syl Thorn is still in hospital, though she will be discharged soon enough, I think. The police have found no trace of Leah - but neither have I, and I have had a lot of people looking for her. I think she has found professional help of some sort, but I have no leads. Still, if I don't, neither do the police, and that is enough for now, even if I plan to gut her for her failure. Tez should never have had to kill Sayid. It's not what I want for him, doing that sort of work. But it has bound us tighter together, which I would not have thought possible. Nothing can come between us now.

My trial for embezzlement is scheduled to begin at the end of February. If it even gets to trial; Levinson thinks we may well see the trial collapse. There are always ways. In any case, I'm not particularly troubled about it. If all goes to plan, one way or another I will be out of the country by then. Now I just have to persuade Tez to go on ahead to Mexico without me and I will join him there. I think this will be a challenge.

"Take the suitcases to the penthouse," I say through the intercom as Granger delivers me to the office. I text Tez - too early to call my azizam - and tell him I'll be over tonight, and that I want to cook. And then I go to the office. Work must go on, after all.
[identity profile] al-shairan.livejournal.com


Three weeks later; Excolo City; King's Castle

Half a moon of deep mourning, the palace draped in white, all the windows covered. I felt like I could go blind, staring at these expanses of white, like the snows I know are coming. The King was my father, and so custom has kept me almost entirely confined to my chamber after he was interred in the crypt. I felt like I could strangle myself on the white drapes around my bed after the third day.

The Council is only meant to discuss urgent matters in this period, but I know they have been politicking my absence. This week I've been trying to find out what has been going on, now that the castle is taken out of its shroud, but hardly anyone will give me a straight answer.

I was surprised when my uncle and aunt arrived here a few days ago; they got here far faster than I expected. By water rather than land; their Helleborean vassals can give them fast ships, I suppose. Valour must have an interest in the regency. In many ways he has the best claim, but apparently I am not allowed to make the decision myself. What is the use being almost king if I cannot even decide that? I am frustrated, and annoyed, and miserable. I don't want to speak to anyone. But I must, because people are planning my coronation. Apparently that I may have some say in.
[identity profile] al-shairan.livejournal.com
King's Castle, Excolo City

The largest town in Excolo, the capital sprawls luxuriantly around the port, built of warm stone, golden-hued in daylight. It is a prosperous, busy city with all the pleasures and crimes you'd expect at a major port. The castle stands on a cliff above the town and overlooks the harbour; the approach is a dizzying climb up steps carved into the cliffside. The castle has elegant interiors but is very much a working castle.


When I awoke this morning there was a fine frost on the windows. It was just past dawn, and it melted once the sun was properly up. Dawns are much later than they used to be. I remember a few years ago there was barely any dark at all for months and months. I miss that. I can only just remember the last winter, and I know I didn't like it. And I keep thinking about how the ground is hard to break in winter for graves. Which is stupid, because when my father dies they will put him in a tomb.

It won't be long, the doctor tells me, but that could mean days or weeks or months. He's been saying the same thing for weeks now. His Majesty still attends to business, but he just signs what the Council gives him instead of going to meetings, and he's taken to sitting by a window for hours, looking out to sea. He won't go to bed during the day, though. He says that's giving up. I try to talk to him about what I need to do, to become, but he says he's too tired to talk about it. He says I tire him out, and he sends me away.

With a cloak on it's warm enough to walk around the gardens and so I do. I like this garden the best, which is built so it overlooks the sea. It makes me feel like I can breathe better, having all this sky and water nearby.
[identity profile] valmont-vicomte.livejournal.com


Castle Wolfsbane, Moroz

The stronghold of the Wolfsbane family, Castle Wolfsbane is a motte and bailey. Outside the walls of the bailey, a town has over the years grown up, a place of low wooden and stone buildings in tightly-knit streets enclosed by a guarded wall. The town of Moroz is a busy, bustling place of industry and noise. The keep itself is a thick-walled place, but even those do not keep out the draughts. From the top of the keep one can definitely feel that winter is approaching. Life at Castle Wolfsbane is fairly informal - the entrances to the bailey and keep are guarded, but once allowed inside you can pretty much roam where you like except for the family's private chambers. Personal attendants, of course, can go in and out of those. Much activity takes place in the training yard/courtyard and the hall. There is a recent addition to the castle - as well as the temple to the old gods that has been here for many generations, there is a chapel dedicated to the Sun-Bringer, Lady Mia's god of choice.


Bloody cold morning, air like a mouthful of ice water. You can never forget up here what cold's like, not even in the height of summer, but this is a reminder that it's going to get a lot colder, and soon. Well, the furriers'll do well out of it, and we've laid in enough food to last the town for a right long winter, so I'm not too worried on that score. The idea of two, three, four years of cold does make me grind my teeth, but I've lived through it before and will again. And then spring'll come, with all its madness - and hopefully by then Mia and I'll have our own spring to celebrate. I'd have a son by preference, but a daughter would do to start. It's been three years we've been married, and people are starting to ask why we don't have an heir yet. Sometimes things take time, I say, and I keep making sacrifices to the gods of earth and to the goddesses of the water to ask that they nurture our seed, but nothing's come of it yet. People've been mithering me with sly suggestions it could be because the gods don't like Mia's Sun-Bringer, but anyone with any sense knows there are hundreds of gods so why they'd take on about that one I don't know.

I go down to the courtyard, because I like it down there - always lots going on. A kid getting a clout from one of the smiths for getting under his feet, the snick and whistle of archery practice, the smell of horses.
[identity profile] al-shairan.livejournal.com


A month later


Mrs Voronin is dead. That such a powerful and well-respected woman would kill herself surprised many, but her workload had increased year on year, and everyone knew she had never been the same since the unfortunate incident with her son Konrad. As the cheap papers say, it all got too much for her.

Or so she was persuaded to believe.

It was regrettable, because Mrs Voronin was my teacher, and I had some affection and a great deal of respect for her. But she was not willing to give up her place as Director of the training facility, and I need access to all of it. Eventually I will move to control Excolo Corp as a whole, but that will take time. For now, I have succeeded to her post, and have taken sabbatical leave from my position at the University - though I am keeping my chair there, for students are a useful body to know, and to control.

Yes, things are moving along. And now I reward my hard work by taking a trip to No 93 Engine for a new outfit. I make sure to wear protective outerwear and a breathing mask. The Dome remains, as always, mild, but it is the height of summer now and the temperature during the day in the Outer Districts easily reaches 110F. The API is 270. I plan to go to Volt, a brand new club in the Outer Districts. A vast basement warren, its underground location is kept at an ambient 70F. That is until the crowds come, of course.

I arrive long after sundown, the streets busy again now the danger of UV radiation is gone. In the summer, anyone outside the Dome keeps noctural hours if they can, and stays indoors if they can't. The whole city keeps club hours, and that makes me smile. I wear a pair of shorts and gold body paint, hair slicked back with white UV gel, and that will serve. At the cloakroom I leave my respirator and waterproof jumpsuit - you never know when it will rain - and pass through the humming rooms of the club, each one full of different colours and sounds. Four DJs, four bars, each one named for one of the four elements. Fire is red, of course, Water blue, Air purple and Earth green, walls glowing. The whole club throbs, and I want it to pulse harder. So I think that, a gentle sort of persuasion like an embrace all through the club. Dance faster, laugh harder, want more. So many people I cannot yet direct en masse, but I can guide, I can encourage. Oh yes, I can do that to hundreds of people at once now, thanks to Tez.

Smiling, I get a bottle of water. I don't need drugs, not now.
[identity profile] al-shairan.livejournal.com
June 1961, near the end of a Friday, Excolo Offices

I look at the cover to our newest title, just come back from the printers, and snort to myself. I told Isidore to find a pretty blond for this one, and it seems he managed. I wonder if he picked the model himself. I'm sure he exerted himself fully in the search.

I toss the book aside and glance at the latest financial reports. Syl Thorn's book, which came out at the start of the month, has made good solid sales. It won't sell as many as Mr Fancy-Panties, and that won't sell as many as Convent Girl Catastrophe, but it's doing respectably, and more to the point it will continue to build up her fan following, because it isn't - well, let's put it frankly, it isn't just a jerk-off book. I had to field a few angry phone calls about the not-desperately-sad ending, but there hasn't been as much backlash as I feared. And we have had a handful of lovely letters about it. We open the author fanmail that comes here - we didn't, once upon a time, and then one of our authors got cut by a razor blade inside an envelope and they sued us for negligence, as if we were to blame! - and I have a letter here to pass on to Syl that I think she'll like. Of course I'm delighted she let her fiance at the altar, but I'm almost glad, the letter says, that she didn't leave with her girlfriend. It would have been a happier ending, but somehow there's something about her striking out on her own that felt more true... Something very like that happened to me, and I'm - not happier for it, but I live a truer life than I did before. I smile at the letter, familiar feeling of tightness in my throat that passes, and I put it back in its envelope and return to the accounts.
[identity profile] rachel2205.livejournal.com
EXCOLO'S GOT TALENT

Photobucket


The regional heats are over, and now the real competition begins! The contestants are all brought together to live in a big shared house with swimming pool (great for cooling off after an argument!), hot tub (for heating things up after dark...), shared bedrooms (one for the girls, one for the boys)... And lots of cameras - everywhere except the bathrooms. Contestants are free to come and go when they please (and when their punishing rehearsal schedule allows), but watch out for reporters waiting outside the compound!

No rehearsals today, guys! Settle in and get to know the other contestants you haven't met yet, or catch up with old friends/enemies from the regionals.
[identity profile] al-shairan.livejournal.com
The next day, late morning

The hearing this morning was barely more than a formality. Bail granted at the sum of $100,000. For some people that would result in a delay before release, but Levinson had the money ready and the whole procedure took no time at all. I do appreciate hard work.

Jenkins greets me as I leave the courthouse, and we climb into the car.

"The apartment, Granger," I say, and the car glides away.

"Any messages?" I ask. He's not a messenger, of course, but these are exceptional circumstances.

"Mrs Shairan called," he says, and I suppose I'll have to speak to her soon and let her know what happened. "Alec said the clean up team have been in."

"...What?"

"I don't know any more about it, sir. I assumed you knew."

What the hell?

The elevator won't move quickly enough for me today.

"Wait here," I say curtly to Jenkins. "Let no one in." I hope Tez is here. I feel like I could scratch my skin off with the need to see that he is alright.
[identity profile] nansekam.livejournal.com
LAST SEASON on CSI: Excolo:

JOHNNY walking home and finding LILY on his doorstep.
JOHNNY: Evenin', Ma'am. Somethin' I can help you with?
FAST CUT to JOHNNY carrying her to bed.
CUT TO The Diabolique.
LILY: I just found out today. They're both boys, congratulations Mr. Shairan, and the oven ... the mother is just fine, thanks for the concern.
AL: Cry me a fucking river. Nothing I do is ever enough for you, is it, Lily?
LILY: It was. But not lately. That's the problem.
CUT TO WANDA returning to her apartment. CLOSE UP of her shocked face as she sees BENEDICT.
BENEDICT: Hello darling. I missed you.
PAN DOWN to see Wanda looking down in horror at Benedict's corpse, a knife in her hand.
CUT TO the Miskatonic Cafe.
TEZ: Johnny's involved - with Lily Shairan. Romantically. I'm so sorry.
DANIKA: Would be kinda nice if the guys I - if the guys I like stopped dating my relatives.
CUT TO car colliding with Danika, sound of sirens. FAST CUT TO Tez slamming JOHNNY up against the wall of the hospital.
CUT TO AL's apartment.
AL: Zuabi. He knows about us. But he has not told anyone. He is afraid there is a leak in the department. Quite rightly.The evidence he has can be destroyed.
TEZ: Think the term for that's 'accessory to murder'. Where do you need me when?
CUT TO LUCIEN's apartment.
DORIAN: If you could fight something and then it doesn't matter because... It will happen. It will.
DORIAN strikes LUCIEN over the head with a bottle.
CUT TO GLASS walking out of the WHITECHAPEL alone.
CUT TO LEAH shooting at SAYID and SYL in the bakery. FAST CUT TO hospital.
SAYID (on phone): I'm at St Mary's. Syl's been shot. Oh, and so've I, but that's not important. Go to my office and get the Maryk Graeb file.
CUT TO Johnny at Sayid's apartment. He hears a sound and turns -


OPENING CREDITS

Shot of a pair of handcuffs; pull back to see SYL cuffing a perp and walking to a car with HERMIA; HERMIA being served a drink by VALMONT; close up of drink pans out to show DIABOLIQUE, FAITH and DAISY carrying trays, pans across to WANDA and NU onstage; close shot of the red glitter on Nu's dress morphs into a bloodstain that pulls back to show a crime scene, AL coolly putting a handgun in his jacket; close up of body pulls back to show GLASS and SIMON examining it in the morgue; close up of scalpel turns into DORIAN holding a blade; LUCIEN with MIAO on his arm cuts to AL and LILY in evening wear; camera pan across to reporters in crowd, close up of TESS with notepad; notepad turns into papers handed to SAYID by SILENCE; KATE in court room, faced with ISIDORE; close up of officer's badge pans out into a shot of JOHNNY in uniform; LEAH loading a pistol; DANIKA with TEZ in the Miskatonic; final power shot, as in seasons 1 and 2, of cops walking out through precinct doors.

Afternoon of Christmas Day. Journey's Don't Stop Believing is playing over a montage:

Just a small town girl, livin' in a lonely world
She took the midnight train goin' anywhere
[SYL lying in her hospital bed, HERMIA sitting watching her]
Just a city boy, born and raised in south Detroit
He took the midnight train goin' anywhere
[VALMONT in his apartment, an open file in his lap]
A singer in a smokey room
A smell of wine and cheap perfume
[WANDA checking out of the hotel where she met WESTIN]
For a smile they can share the night
It goes on and on and on and on
[AL in his police cell, stroking the ring TEZ gave him]
Strangers waiting, up and down the boulevard
Their shadows searching in the night
[TEZ in AL's apartment, his expression unreadable]
Streetlight people, living just to find emotion
Hiding, somewhere in the night

SAYID reaches out and turns off his car stereo.


Fucking terrible song.

I rub my face. I'm running on empty and I don't know what the fuck I'm doing. Shairan was arrested this morning, so that's something. I've got so much to do and not much time to do it in. I haven't been home since yesterday. The precinct were kind enough to lend me an office, since my own got firebombed. I've been trying to make sense of the mess of paperwork we saved from there. Johnny hasn't checked in yet. I'll need to check up on him soon. I need to go and see Syl. I need... some sleep. My arm fucking hurts. Instead I go to the Miskatonic, which as far as I can see is never closed, get the largest coffee I can, and swallow a handful of aspirin. I'll make it through this day if it kills me.
[identity profile] valmont-vicomte.livejournal.com
Two weeks later - early May 1961; a Friday evening



I'm standing in the grand ballroom of the The Roosevelt. I'll say something for Management - they have a flair for locations. God knows what this is costing the company, but I suppose the publicity is worth it. Look prosperous, become prosperous.

Normally I'd be as happy as a clam (what the fuck does that even mean?) about having a party with free booze and the opportunity to wear black tie. But frankly I've not been in much of a mood for parties lately. I'm tired, and I'm miserable. I've been trying to act like everything's normal with Ted, the way he seems to want. I don't know how much longer I can keep doing that. It's fucking exhausting, because I'm -

I love him.

That free bar's looking pretty great, really. And I'm here to work. Be nice to my writers, to friends of the company. I can be charming. I can do this.

And at least I look goddamn great in a tux.
[identity profile] kateohara.livejournal.com
The same day; early evening

I chivvy Mr Sagert out of the office at 5.30, as he asked, and then spend a little time finishing up a couple of letters. Lydia mentioned she would be going over to Yorick's; it's just a couple of blocks away and popular with the publishing crowd. It looks just like any other New York bar except for the skull on a shelf behind the bar, which I think is sort of creepy but I guess it's a conversation point. Lydia's not here when I arrive, but I order a San Martin anyway and take a seat at a corner table - I find if I sit at the bar men tend to assume I'm looking for company. Since I'm alone, I take a book out of my purse - we get lots of these for free, so I end up reading quite a few of our novels. This one isn't too shabby. The action's pretty good, and the heroine isn't as useless as they often are.
[identity profile] valmont-vicomte.livejournal.com


Lunchtime of a warm late April day, 1961; Excolo offices

I woke up with the sun on my face and a feeling like a cat had died in my mouth and left its fur behind. I should stop drinking with Ted. The man works for his ulcer. But I got out of bed and got myself to the office in my second best suit with my hair slicked back, because that's the American way.

I pour myself a whisky and soda. "Hail Lady Liberty," I say ironically, raising my glass in the vague direction of that famous skirt, though I can't see her from my office window. It's been a busy morning, and I've earned my drink. I just had a long meeting with one of my authors, a real putz - and not the softheaded kind you can coddle. No, this is a mean one, and I'd kick him to the kerb if his titles didn't make us money. Goddamn Robert Reaves. I think Isidore might swing by this afternoon to show me the new covers for this month. Wonder how many pretty boys he'll squeeze in. If he doesn't, I might drop by the art department. There are a lot of good looking people in Art. I deserve a beauty break after this headache of a morning.

I take a swallow of my whisky, then throw back a couple of aspirin. I've been editing our latest dark-and-stormy, a real pill with the title A Dame Called Murder. The name's the best thing about it. Sometimes I wish I worked for a proper publishing house. But a boy from Brooklyn's much more likely to advance here than any place that puts out Pulitzers. And sometimes the detective novels can be a damn good read. It's just a shame that most of the time we favour dames with curves that go on forever over quality writing. When I'm in charge of the department, that'll change. You can sell pulp and still have it be good.

I finish my whisky and put my jacket back on. Time to go out and see what the rest of the office are doing.
[identity profile] valmont-vicomte.livejournal.com
PREVIOUSLY on CSI: Excolo:

TEZ and DANIKA sitting in the Miskatonic Cafe.

TEZ: Johnny's involved - with Lily Shairan. Romantically. I'm so sorry.
DANIKA: Would be kinda nice if the guys I - if the guys I like stopped dating my relatives.

CUT TO: car colliding with Danika, sound of sirens. CUT TO: Tez slamming JOHNNY up against the wall of the hospital.

TEZ: It's my daughter who may be about to be born and you are asking me about a fucking statement.

CUT TO: AL talking to TEZ.

AL: Zuabi. He knows about us. But he has not told anyone. He is afraid there is a leak in the department. Quite rightly.The evidence he has can be destroyed.
TEZ: Think the term for that's 'accessory to murder'. Where do you need me when?

CUT TO: GLASS talking to LUCIEN outside the Diabolique.

LUCIEN: Dorian Gray is... you know he.... I try to help him, but I just... you. You are good for him. You mess up his focus, it makes my job all the harder, you scare the hell out of him... but you are the best possible thing that's ever happened to him.

CUT TO: TAMMY sitting in a bathtub and smiling at WANDA.

TAMMY: Come on in.

CUT TO: HERMIA sitting in a car with SYL.

HERMIA: I'm…yeah. I'm pregnant.
SYL: Th'father's Valmont, I guess?
HERMIA: I'm hoping he'll move in with me. He's…not so sure about that.


THE WHITECHAPEL, Christmas Eve, late afternoon

It's busy in here today, plenty of cops clocking off for Christmas and coming here for a festive drink before heading home. I like that it's busy. I've had a lot on my mind lately. Figuring out things about Marie, and then there's Hermia and her baby. Our baby. In a few months I'm going to be a father. She called me last night and told me about the accident outside the Miskatonic. I think of Danika Ibsen - a sweet girl, from what I've seen, despite the people she comes from - and think how it could have been Hermia. It could have been her nearly losing our baby in the back of an ambulance if she had got out of Syl's car a few minutes earlier. Shit. It's been a long time since I had anyone to worry about. Worry in a real way, I mean, sweating palms and guts twisting. I feel that about Hermia - about anything happening to her, and about how I feel for her. Sometimes it's too much. I've been playing at being charming Valmont Laclos for a long time now. Being a real person is harder. I think I want to be, for her. For our family. But -

There's always the pictures of Marie in my filing cabinet. I need to finish what I came here for, and then maybe I can be myself again.
[identity profile] al-shairan.livejournal.com
The Diabolique, later that same evening. Their traditional Friday-before-Christmas party. The club has contemporary Christmas decorations - delicate white lights, vases filled with twigs - and the only Christmas music is silky jazz covers. Tonight several acts are playing live and there are a range of winter cocktails on offer to get everyone in the holiday spirit. AL SHAIRAN enters, wearing a Canali oatmeal toned winter coat over his Ralph Lauren suit.

The last fortnight has been - shocking, in some ways. After what Tez and I said to each other, he has been staying quite often at my apartment, and it is...easy to be with him. Too easy, perhaps; when I am with him everything else gets swallowed up. But I am not neglecting my duties - particularly because my most pressing duty at the moment also involves Tez. I have been quite careful about my investigation of Zuabi, but I am nearly ready to move. Then Tez will be safe, and after Christmas - well. We can think, in the new year, about our plans for moving forward with our lives together.

I feel a familiar twinge of guilt as Lily comes to mind, but it is not so very strong now. Since our conversation a few weeks ago, when she said that I no longer give her what I need, and then when Tez told me two weeks ago that he would give up everything for him - Well. My priorities have moved on. I simply have to work out how best to manage things with Fiona, and the twins when they come. I am sure that this Christmas will be miserable for both Lily and myself, and because I still love her this makes me sad for both of us. But it will be over soon. And many things will change.
[identity profile] nansekam.livejournal.com
Previously on CSI: Excolo.

SYL and SAYID in the courtyard of his apartment complex.

SAYID: Happen to know the couple who live there are moving out. Would be cheaper than our two separate places. Not by much, admittedly. But wondered if you might fancy it.

SYL: Yeah, I'm in.

CUT TO: KATE talking to ISIDORE LEVINSON.

Kate: Your firm does seem to have a remarkable knack of preventing cases coming to court, which is quite admirable, even if frustrating for my office. But then, I do enjoy the challenges of the court room.

Levinson: You could enjoy them across the aisle. The challenges are still there - it's just a bit easier to enjoy them.

CUT TO: ISIDORE at AL's apartment.

TEZ: Who the fuck are you?

ISIDORE: I was dropping some things off for my client.

CUT TO: AL talking to JACK HOLLOW. There is a red gift back on the chair beside them.

JACK: Found what I was looking for pretty quickly, and the stall owner was decent.

CUT TO: AL looking through the contents of the bag - a file. CLOSE UP of his face. CLOSE UP of a photograph in the file, which is of SAYID.

CUT TO: AL in bed with TEZ.

AL: You do not need a job. Live with me, here. If you want. Love. Stay with me.

CUT TO: WANDA returning to her apartment. CLOSE UP of her shocked face as she sees BENEDICT.

BENEDICT: Hello darling. I missed you.

VOICEOVER as Benedict chases her through the apartment.
It was fun Wanda. It really was. But all good things must come to an end. And I need some space.
PAN DOWN to see Wanda looking down in horror at Benedict's corpse, a knife in her hand.

CUT TO: NU and WANDA tying Benedict up in a shower curtain. NU VOICEOVER: The rivah, ayuh. Put him in naked. If we float him ovah the county line, might take a while for people to figuah out who he is. Then we need to dump that car of yours, torch it.

CUT TO: JOHNNY at DANIKA's apartment, putting on his coat and leaning in to kiss her.

JOHNNY: I'll - I'll see you soon, right?


A couple of weeks later - the 23rd of December. SAYID is sitting in the Miskatonic, with a song playing quietly on the jukebox. We see him through the window, snow falling in a gentle flurry in the early evening.

Nearly time. Can't wait for this to be over, I really fucking can't. I feel like I've hardly slept the past two weeks. I know Syl knows something's up, but I can't tell her what. Might be dangerous. But it's exhausting, cos knowing there's a leak in my own department I haven't been able to talk to anyone. But soon I'll move on that fucker Shairan, and Ipoca'll go down with him, and for Syl's sake I feel bad about that but as far as I'm concerned otherwise the fucker deserves it.

Information from Johnny suggests Hollow's the police side of the weak link, but I still don't know who in the FBI has let me down. Feel bloody paranoid at work. At least I've had the distraction of moving in with Syl. We've spent the last couple of weeks sorting things, and I collected the keys today. Doubt we'll have time to move anything in before Christmas, and besides both of us have got a couple of weeks left on our respective leases, but we might be able to give the empty place a bit of a Christmas christening. The thought makes me grin to myself, and I return to my pie.

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